![]() ![]() Originally posted by Swing:OK go spout that out to every game in my library that has a "play game" or "game editor" pop up choice when I choose it. Meaning, if you want to do this project, the only Legal way to do it would be to remake all the assets from scratch read the EULA next time you buy something, you own NOTHING,the only way you own any software or assets would be if you made it yourself (alot of kids these days don't seem to understand that) as such exporting them for use in another is ILLEGAL. all you own is a Licence to use the software, all the games assets are property of the Devs and Publishers and you are bound to the terms of that licence agreement. Now can anybody help me pull them out? *facepalm*įirst, it does not matter if you worked on a ranslation patch or not (which i highly doubt you did), exporting a games assets for use in another (even in free mods), is ILLEGALĪnd no, you don't "own" VC, actually, you don't own any game in your steam Library. I own VC and if I wanted to I could take Selvaria's model and have her give Welkin a BJ which people have already done. I'm not making my own game to sell and I'm using models that are my own property (I own the game as well as the models in the game) as pictures for a game that came with a mod creator to use them for. People make mods all the time look at the forums. I helped with the FF-Type 0 English patch where the next day Sky got a C&D (Squeenix is a joke) but it didn't matter because he lived in spain and funny enough at the same time they also announced an HD version for PS4 and Xbox11. Unless you have permission from the legal owner of those assets, you would have to recreate those assets from scratch Uhm I helped with the VC3 english patch cuz sega didn't care about american gamers. ![]() Originally posted by theseraph1:you realize its illegal to rip Licensed game assets from one game to put into another game and/or mod, right? ![]() More information will come as I get farther along with this! If you can only supply pictures of a 3D model that might be better than nothing but I would prefer left and right views although I could do mirror images of each other. I prefer generic Gallian and Empire units over personal models but will be including Valkyria, the Edelweiss and some assorted "unique" units as well. That or supply the file paths to view all the different units in VC1 and how to view them as I'm too busy now putting maps together plus I'm storming the beaches in V-Day tomorrow plus all weekend. It doesn't matter if you don't like VC2 because I just need to pull pictures out of the 3D models for my game (remember regular army, militia, and the military acadamies both played a role in the war). I know ppl have pulled out the 3D models of psp games I just suck with hex and know that some are already out there. I would greatly appreciate it if anybody could supply 3D images or files for me to open on a program to view pulled from VC 1, 2, and 3. I will be making a VC mod for a game based on tactical to strategical combat in EW 2 taking place in Gallia and then maybe later on in Europa.
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In the test file you downloaded, you are seeing it in the headers, the chart, the icons and the table… You see your theme colors in everything from the color options for your fonts, to your default headers, to tables and charts… and more. What does it mean to apply a color theme? In most of your Office programs, you are already using a color theme, whether you realize it or not. These are all things that will be effected by altering the color theme. 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In his first installment, he talks about being selected to the 2023 Honda NHL All. NICOSIA, Cyprus-Cypriots are voting Sunday for a new president who they’ll expect to decisively steer the small island nation through shifting geopolitical sands and uncertain economic times. 324 released in The first Breakaway Music Festival's Music Festival took place in Columbus, Ohio in 2013. In the event of severe weather (including lightning, high winds, Breakaway Music Festival Michigan - Friday in Grand Rapids, MI at Belknap Park Belknap Park - 30 Coldbrook St NE, Grand Rapids, MI 49503 Tickets from $671 Music Festival Tickets Concerts50 doesn't sell tickets for Breakaway Music Festival Michigan - Friday directly but redirects to ticketing sites through affiliate links. The two-day, multi-genre music festival is set to return to the Historic Crew It is a free, non-profit family event held every year on the last Saturday in April from 10am - 6pm, rain or shine. 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![]() There's a saying words can cut deep, especially lies. Fibbers with other prefixes (or none at all) will have weaker statistics. This is the final reward from Mal in Eridium Blight, once you finish his quest chain. 3) The Redundant Fibber, a unique pistol manufactured by Hyperion.The floating shock cloud that the Thunderball Fists leave dealt 700-800k in critical hit damage. With an Alkaline Bee Shield that has an amp damage of 50k, I managed to deal 500k-600k damage per shot. It can quickly whittle it down with an intense combination of shock damage dealt primarily by the gunshot and its after effect: a shock ball/cloud that bounces back down and deals a shock AoE. This pistol is effective against Pete's shields. Captain Flynt in Southern Shelf has a chance of dropping this weapon. 2) The Thunderball Fists, a legendary pistol made by Maliwan.This weapon can eat up Pete's shield pretty quickly. The burst fire delivers 5-7 rounds (depends on the SMG) with each round dealing 4k-5k pure damage. Seeing as it is a Dahl weapon, you can expect burst-fire as its secondary firing mode, which activates when you look down a Dahl gun's sights/scope. This particular sub-machine gun doesn't have overblown statistics but it will do its job. You can obtain it as a quest reward from the mission "Whoops" when you turn it in to Captain Scarlett in Wurmwater. ![]()
Gene Cernan, Apollo 17, 1972: "Once I finally stepped on the moon, no matter what was to come of the next three days - or the rest of my life - nobody could take those steps from me. I really was focused, and I don’t think that’s unusual for explorers when they go into new terrain, here on Earth or in space. And then there were always what we call the “housekeeping activities” that had to be done in order for the mission to proceed. I’m a geologist and wanted to get as much exploration time in as I possibly could. And so when I stepped on the moon, my most important feeling, I think, was, 'Let’s get with it, because we don’t have a lot of time.' There’s a lot to be done. Harrison Schmitt, Apollo 17, 1972: "The operation of an Apollo mission is one of relentless loss of time. Earth was directly overhead, and, when I looked up, I saw the top of my helmet!" You could see Earth, but where we were - a little south of the center of the moon - it was difficult. The sun was always shining, so you didn’t see stars or planets. The gray was so bright it was almost white - a sharp break between the surface and the horizon. It’s a great deal!"Ĭharlie Duke, Apollo 16, 1972: "My most vivid memory on the moon is the beauty: the stark contrast between the brilliant gray of the moon and the blackness of space. Then again, I had all these people watching everything else for me. I never paid attention to my suit, backpack or anything - I was doing what I was trained to do in terms of the geology. When a halfback goes through the line, everything slows down - zoning! And when your wife goes to the department store, she’s zoning. Sport psychologists have that figured out now. We learn more and more about how humans function. It’s exhilarating, and very satisfying too, that you get a chance to do those kinds of things. Apollo 14 was to start doing science."ĭave Scott, Apollo 15, 1971: "As they all tell you, it’s beautiful up there. Apollo 11 and 12 were just to prove physically we could get down, and then back safely. And, of course, our mission was to be the first to do science on the moon, so we had to be very careful about getting everything in during the allotted time. We would go through the whole routine, modify it, rewrite it, modify it again until we were comfortable with the order. You can get the job done, instead of for other things."Įdgar Mitchell, Apollo 14, 1971: "Sure it was wonderful, we were pleased to do it and it was enjoyable to be among the first on the moon, but it was just part of a checklist we had practiced week after week at Cape Kennedy. I had to get to work and not fall behind on our timeline. So I didn't have anything philosophical to think - it was all business. Pete had that job, sort of like Neil had and Buzz didn't. And I wanted to get on with my checklist. I knew it would take four or five minutes from Buzz and Neil talking about it. I was impressed with the total 'magnificent desolation' I saw in front of me: black sky, no stars and the horizon clearly curving away."Īlan Bean, Apollo 12, 1969: "I'm feeling like I need to get my balance. They're there, of course, but you can't make them out because they're too faint with all the ambient light in your eyes. The sky is black as can be, but there's no way you can see stars. Your pupils close down, just as in orbit when the sun is on the spacecraft. And, of course, the brightness of the sunlit surface was almost like looking out at sunlit snow. ![]() Off in the distance was a very clear horizon, maybe with a boulder. ![]() The immediate surface was very powdery, as best we could see looking down from 15 feet. This was the time to think positively."īuzz Aldrin, Apollo 11, 1969: "Obviously, when we touched down on the moon, we were very relieved. ![]() On the lunar surface, it did not weigh on my mind at all. But that was in the two years prior to the flight. I had been very concerned about the technical details of assuring that the ascent engine could be started and would do the job of getting us back into lunar orbit. So we were focused on doing the very best job of completing our observations and experiments in the limited time we had available. But it was genuine exploration at a place where no other human so far as we knew had ever stepped before. Walking on the surface was, in my opinion at the time, far less risky. ![]() The landing was a very high-risk situation. It was really over 200 degrees F outside. It was a real moon's surface outside our window. The real thing differed from simulation because it was 'the real thing.' It was a real lunar module, alive and operating. Neil Armstrong, Apollo 11, 1969: "We followed our checklist precisely. |
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